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Isla Santos, a Filipino painter, signs an exclusive license with Brightline Exhibitions to reproduce, distribute, publicly display, and create derivative works of her painting Nocturne Over Manila for five years within the Philippines. The contract requires that Isla’s name be credited as the author whenever the work is publicly displayed. Brightline launches a multimedia gallery featuring projection overlays and 3D-printed replicas; some displays credit Isla in the main title screen, others place attribution on a wall plaque, and several frames omit attribution entirely. Brightline also releases an online video compilation that uses the derivative works but fails to consistently credit Isla. Isla sues for copyright infringement and for violation of moral rights. (a) Identify the rights involved and who holds them in this arrangement. (b) Distinguish the controlling rule regarding the author’s moral rights (right of attribution and right to integrity) in relation to a license to create derivative works. (c) Apply the rule to the facts: Has Brightline’s use violated Isla’s moral rights? What remedies are available to Isla?

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Clara

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